VISUAL & PERFORMANCE ARTS FACILITIES

RECORDING STUDIO

  • Citrus Studios presently have 2 studios and control rooms with tielines to the Haugh Performing Arts Center, a 1400 seat auditorium for large scoring sessions.

    The studio layouts are available in PDF for download. STUDIO - A / STUDIO - B

  • Studio & Control Booth A

  • Studio A is the larger studio accommodating 40 musicians with 2 isolation booths and a drum booth. The room is 51 feet wide by 24 feet deep (at its narrowest) with an average visible ceiling height of 14 feet. There is an additional 6 feet of air volume above the visible ceiling. See Mics & Pres Below

    Instruments Available:
    • Yamaha C7 Piano
    • Full Percussion Complement
    • 4 Ludwig Grand Symphonic Tympani
  • Control Room A is equipped with an SSL Duality 48 channel console. The room is 23 feet wide by 19 feet deep.

    Additional Equipment:
    • Wave: Space Custom Soffit
    • Monitors: WM-X, DyneAudio Air 15 Surround/Nearfield Monitors
    • Digidesign ProTools HD2, 16 ch 192
    • Digidesign ProTools HD2, 16 ch 192 I/O and 18 ch Apogee I/O
    • Studer A-827 Analog 24-track with Dolby SR
    • Tascam DA-98HR/DA-78 24Bit Digital MDM – 32 channels
    • 2 Anthony DeMaria Labs ADL 1500
    • 2 Aphex 622
    • 2 dbx 1066
    • 2 Summiit DCL 200
    • 2 Emperical Labs Distressor EL8
    • 1 Aphex 104 Aural Exciter C2
    • 1 Eventide DSP-4000
    • 1 Lexicon 300L
    • 1 Lexicon 480L
    • 1 Lexicon PCM 80
    • 1 RSP Technologies Saturator
    • 1 TC Electronics M5000
    • 1 Yamaha SPX-990

  • Studio & Control Booth B

  • Studio B is the smaller studio appropriate for small groups or overdub sessions with 2 isolation booth. The room is 42 feet wide by 16 feet deep (at its narrowest) with an average visible ceiling height of 14 feet. There is an additional 6 feet of air volume above the visible ceiling. See Mics & Pres Below

  • Control Room B with an SSL C-200 Digital Console. The room is 23 feet wide by 21 feet deep.

    Additional Equipment:
    • Wave: Space Custom Soffit
    • Monitors: WM-X, Genelec 1031A Nearfield Monitors and Surround Monitors, Yamaha NS10A Nearfield Monitors
    • Studer A-827 Analog 24-track with Dolby SR
    • Tascam DA-98HR/DA-78 24Bit Digital MDM – 32 channels
    • 1 Anthony DeMaria Labs ADL 1500
    • 2 Aphex 622
    • 2 dbx 106
    • 1 Summiit DCL 200
    • 2 Emperical Labs Distressor EL8
    • 1 Aphex 104 Aural Exciter C2
    • 1 Eventide DSP-4000
    • 1 Lexicon 300L
    • 1 Lexicon PCM 80
    • 1 Lexicon PCM 90
    • 1 RSP Technologies Saturator
    • 1 TC Electronics M5000
    • 1 Yamaha SPX-990
    • 1 SansAmp PSA-1

  • Microphone & Mic Pres

    • 2 AEA R92 Big Ribbon
    • 1 AKG C-12 VR
    • 12 AKG C 414 B-ULS
    • 4 AKG C 451 B
    • 20 AKG C 460 EB with CK1 Capsules
    • 4 AKG D 112
    • 5 Coles 4038 Ribbon (2 are Stereo Pair)
    • 1 DPA 3506 Stereo Kit with 2 4006-TL Omni
    • 4 Equitech E-30
    • 1 Earthworks DK50 HiDef Drum Kit with 2 QTC50
    • Hi Def Omni Mics and SR30 Kick Mic
    • 1 EV RE-20
    • 4 Neumann KM 184
    • 1 Neumann M-149
    • 2 Neumann TLM 103
    • 2 Neumann TLM 170
    • 3 Neumann U-47 FET / 4 Neumann U-87
    • 2 Royer R-122 Ribbon "Active Series"
    • 2 Schoeps CMC5 amplifiers with
    • 1 MK6g – omni/cardioid/figure-8
    • 2 MK5g – omni/cardioid
    • 10 Sennheiser MD-421 U
    • 2 Sennheiser MKH 416 Shotgun
    • 1 Sennheiser MKH 70 P48 Shotgun
    • 2 Sennheiser MKH 80 P48
    • 11 Shure Beta 58 A
    • 1 Shure SM 58
    • 12 Shure SM 57
    • 4 Shure SM 81
    • 11 Shure SM 98 A
  • Mic Pres
    • 1 API Lunchbox with 2x 512 Pre., 2x 550a 3 Band EQ, 2x 525 Compressor
    • 1 Apogee Mini-Me Mic Pre & A/D Converter
    • 1 Focusrite Red 7
    • 1 Schoeps VMS 5 U w/ M-S Decoding
    • 2 Martech MSS-10
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